![]() Using some of their sample and preset packs!!. I also love the diversity in the samples and styles they have. With these samples it immediately makes your productions sound more clean and professional! The programing and kits are top notch and sound like tracks which are on the Beatport Charts. A production because of the great quality of the sounds! Also the Sylenth1 and Spire Sound Libraries are so fresh! Great job guys! All of the samples are of high quality and are completely current into today's "EDM" market. Production have been used in most of our top tracks! I recommend them to all upcoming producers". Really helpful for sparking inspiration or adding variety to your music! They are one of the best companies on the market. Highly recommend them! Production has some great libraries! We use many W. Production covers everything from catchy loops and midi files to sick sylenth presets! Be creative and do whatever you want with them. Your effects on different buses, so you can send those effects to each other. You can use it on the lead vocal gently to give it more power and width. We have a half note, quarter note, eighth note, and a slap delay.Įcho is also an eight-note delay, but it has a longer feedback time and a reverb, which I mostly use on synths or guitar solos. But you can always edit or put an EQ after them. When I want to use the reverb as an effect, I tend to use long, big, and massive ones. When I want to take everything in similar places, I use medium reverb. When I want to replicate a room, I use the small reverb. It has a different character, and I mainly use it on guitars and the percussive sounds. Small and medium are room reverbs long and big are hall reverbs. Every one of them has a different pre-delay and decay time. We have small, medium, plate, long, big, and a massive reverb on the mixing template. This Logic Pro mixing template lets me do this easily. ![]() Those effects are enough to give me what I need quickly, but I always edit them later.ĭetails always come later in the mix for me. I also use the mix knob, so if you use it like how it is, you will do parallel compression.Īnd we came to the fun part, the effects! I have too many buses ready for most of the situations. There is no rule for that, but around 3 to 4 dB will be nice. When you find the best settings for your mix, take the threshold back. ![]() And change the attack and release parameters there. The best way to do this is to take the threshold all the way down to where it compresses around dB. You have to listen to the song and dial the settings of the compressor to your likings. I realized that I almost always tend to use a compressor on my mix bus to get the most energy from the mix, so I put a compressor on the mixing template. So, the groups work like this: the channels routes to bus groups, and the bus groups routes to mix bus. I always keep an eye on my mix bus, and I put my limiter on the stereo out when I need it. Also, I always use a monitoring plugin on my stereo bus, which decreases the volume.
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